Color stayed black-and-white, letting photography and rare accent tones (a pale cover-blue, a warm horoscope cream) carry all the hierarchy. Typography splits in two: serif italics for feature headlines borrowed from classic newspaper mastheads, clean sans-serif for dense body copy. Small print details — recycled paper stock, issue number, barcode — sell the illusion of a real, physical run.
A visual system built on restraint, tuned for a subject that's anything but restrained.
Color stayed black-and-white, letting photography and rare accent tones (a pale cover-blue, a warm horoscope cream) carry all the hierarchy. Typography splits in two: serif italics for feature headlines borrowed from classic newspaper mastheads, clean sans-serif for dense body copy. Small print details — recycled paper stock, issue number, barcode — sell the illusion of a real, physical run.
A visual system built on restraint, tuned for a subject that's anything but restrained.